Character Claptrap – Antagonists

Here’s a new blog post. Yay, woo-hoo, etc, your excitement for it knows no bounds.

Sorry, I made this right now on the assumption that I should. It’s about that time. But to be frank, I’m not really in the right frame of mind for it, so this post might be all over the place, a bit like vomit if you weren’t supplied with a basin.

Well, that was an unnecessarily disgusting analogy.

The truth is, I’ve actually been rather busy – yes, I’m going up in the world. I’ve been spending a lot of my time recently rehearsing a solo performance of ‘Out There’ from that previously mentioned on my last post Hunchback movie, for a showcase done with a Performing Arts section of my university. And to be quite honest, I was terrified at the whole prospect. But the people there are lovely, and the showcase was actually a great success. And with that done, and a reading week now, I have more time to get on with work and such things.

Though of course we all know that’s not going to happen.

But even though I’ve been pondering on the many things to make a post about, ranging from short reviews of anime series I’ve seen to something very philosophical, I thought I’d make another little thing about character design. Where it was protagonists last time, this time it’s antagonists. Yes, now it’s time to delve into the villains, anti-villains, monsters, demons and politicians of our stories!

Now, an antagonist in a work of fiction is defined as a group of characters, institutions or concepts that stands in or represents opposition against which the protagonists much contend. So, technically, the antagonist doesn’t have to be a character. As it happens, I can think of plenty of works of fiction in various forms that don’t have a character antagonist – the antagonism comes from the plot, which in many cases, can lead to very interesting and thoughtful stories. But let’s be honest, it’s the bad guys or gals we like. Because…well, evil is sexy…
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Oh, Kurumi Tokisaki, you can aim that gun at me any day…

But of course, we’re being very simplistic here when we talk about villains as traditional ‘bad guys.’ What really displays the themes and ideas behind a story with the most clarity, is, to me, often the choice of antagonist. By setting a clear divide between right and wrong (if it’s that kind of story), you are seeing, quite clearly, what the author sees as wrong and opposed to the overall message.

For example, good old Lord Voldemort, a.k.a, Tom Marvolo Riddle, a.k.a, The Dark Lord, a.k.a, You-Know-Who, a.k.a, He-Who-Must-Not-Be-Named, a.k.a, The Heir of Slytherin, a.k.a, Ralph Fiennes, the main antagonist of the Harry Potter franchise, and is painted as the complete opposite to our heroes’ values. Not only is he a total bigot who is very much a figure of hatred, but his ultimate goal is to become and immortal and all-powerful through the most selfish and inhumane ways. Here we have a very clear picture of who not to be, and many times our characters point out their struggles not to be this way to.

And I think, looking back, it makes me wonder exactly what my previous antagonists/villains said about my own values. Let’s take a look back, shall we?

OK, the attempt at romance/teen drama/school story I once wrote at about 12 featured a main antagonist who was a total delinquent. And when I say total, I mean in a pretty complete one-dimensional way. For no real reason, this character, with the charming name of Aiden Gorse, regularly beat up people, enjoyed setting fire to things, smoked loads of cannabis and kidnapped the sister of a guy who annoyed him. Well…great…in the sequel, he was demoted to a bit more of anti-hero who didn’t really do much, and the main antagonist was another drug-pusher/nutter who just happened to not be in school. Upon thinking about it, what this reflects was the knee-jerk reaction that I think many of us have when growing up and hearing about the new bogeymen of the adult world. Never mind monsters, witches, mad scientists and Sith Lords, we had to deal with thugs, criminals, knifemen, and yes…DRUGS. DUN-DUN-DUUUUUN! There was also an abusive parent in it, another such picture of reality, although I can safely say was probably not very realistically portrayed.

But the pages of this tale reveal something a little more personal about who I demonized in my mind. A minor character introduced in chapter 3 is described, unflatteringly, as an ‘extremely dull sports nut,’ who had most of the protagonistic characters dismissing him and considering him in a demeaning way. As a young whatsit growing up, I always hated sport. And hey, to some extent I still do – hate is maybe a strong word, but I certainly have no interest. And maybe I was intimidated at that stage by the rigid figure of masculinity we boys and men are meant to aspire to. Again, in many ways, I still do. Do I sometimes see muscular men with pronounced jawlines and very manly attitudes towards dealing with things and feel intimidated, resentful, and that I’d rather be in their place? Oh yeah. But at the same time I reason that I wouldn’t be happy with changing myself like that, and the way forward is to make people realise that our gender roles blatantly suck.

Other works have included antagonists who are bigots or sci-fi terrorists, which again, is kind of a reflection of waking up to the world – but at the same time, I really hate bigotry. I’m not trying to flaunt it, it’s just true. Bigots will continually show up in my stories, people who discriminate of any basis they can think of – before it was mentalist/ableist forms of discrimination, something which hits very close to home, but more recently have included sexist and homophobic kinds of bigotry too. In many ways, I feel this is a sign I’m growing more empathetic – as a heterosexual male, I’m not someone who’s experienced sexism or homophobia first-hand myself, but it’s getting to know people and reading about these kind of things that make me riled to make a stand somehow. Although the fact that a sort-of recent story I wrote once again featured an idealist masculine form as the main antagonist shows that perhaps old insecurities still linger.

My advice to anyone who’s trying to create a good villain is simple – don’t write a cardboard cut-out. Villain archetypes come in many familiar forms, and I think the importance is remembering that they are people too…unless they’re not and then it’s easy game. Even so, identifying what makes a villain think or act in certain ways is, in many ways, grounds for what your story’s primary theme is, and represents, perhaps a path similar to the protagonist;s, but going to wrong way, rather than the path that should be taken.

In my current plans for stories, the antagonists I have in mind I feel are both three-dimensional and reflect the themes quite well. I may reveal some more information by popular demand, but until then, I hope you’ve enjoyed the post, let me know and have a good day.

All images belong to their respective owners.

My Top 10 Favourite Animated Movies

Well, hi guys! Time for something completely different. Again!

So, with Valentine’s Day just around the corner, I figured I should get a nice little project under way before the inevitable soul-crushing despair that I often associate with the particular calendar date. And before we get on to what that is (which you may have been able to infer from the clarity of the title), a little word about Valentine’s Day.

I’m not trying to rain on the parade on those who are celebrating the big VD with a significant other – I think that’s great, it’s nice to celebrate with the people you love and want to share your life with. Yes, maybe it would be easier for me to sympathise if I had such a person myself, but that’s a story for another time. (Of course, I keep on saying that, but I have no idea when other times will come around). But the point is, I don’t think Valentine’s Day should exclude or even imply to exclude single people, because, simply put, it’s a celebration of love, and a lot of the single people I know are very capable of that. What’s more, why set aside a day? I like to consider myself full of love for my family, friends, and various people around me all the time, and I know a lot of people who are too. I know this is hardly news, but just consider it a reminder for everyone tomorrow that there should be no constraints to your love.

Well, except for infidelity, but that’s another issue entirely.

But of course, activities that both couples and singles can engage in are sitting d0wn and watching films. I’ve always loved films, and, as VD is a celebration of love, maybe it’s only fair to share the films I love the most. But to be fair, that’s not always easy. I can’t imagine myself being able to concoct a reliable list of my all time favourite movies. I’d end up feeling like I’ve betrayed another favourite after it’s over or something. It would be a disaster.

So, I thought I’d narrow it down a bit, and talk about animation.

Animated films, I feel, hold an important distinction. There are no real limits to the visual style, the same way there are for practical effects and actor constraints and all sorts of other painful inevitabilities of live-action movies. Animated films are not just a work of story-telling art, but of very obvious visual art as well. This isn’t to say live-action can’t be visually appealing too, but with animated movies, as I’ve said, the art-style is very obvious and there are no constraints. I’m not an animator myself, but I can see when an art style has worked…
(Oh look, that was unhyphenated.)

What’s more, for many a modern person, animated films are some of the first we ever saw. The obvious artistic choices are probably one of the reasons that animated movies are generally family or childrens’ media, but I don’t think it’s fair to consider them a lesser art form because of this – on the contrary, that age is where we’re the most impressionable, and even if we first watch some animated films when we’re older, we can appreciate how good (or not) they are for the next generation and if they’re conveying the right messages.

With all this in mind and more, I’ve compiled my personal list of my Top 10 Favourite Animated Movies. (Ha, bet you didn’t see that coming, considering it was the title and everything!) These are the ones that just really spoke to me and I have, or will be willing to watch them many times. I’ll be commenting on visuals, music, storytelling, characters, all that good stuff, and by the way, any animation style counts – hand-drawn, CGI or stop motion, although there are no stop-motion examples on this list. I’ll also only be counting animated features, the first of which was Walt Disney’s Snow White and the Seven Dwarves (1937), though that’s not on this list either…

The format of the list will contain the name of the feature, the year it was released and the animation studio who released it so one can examine and compare. Also, take care that if one of your favourites isn’t on the list, DON’T PANIC. This isn’t a list of what counts as the best animated movies of all time, just my personal favourites. In some cases, I may acknowledge that some lower on the list are stronger in certain respects to entries higher on the list – these are just my personal favourites in animated feature films.

So, without further ado, let’s begin…

 

#10) Beauty and the Beast (1991)
Beautybeastposter

Studio: Walt Disney Pictures
I do believe this was the only animated film ever to be nominated for Best Picture, and let’s be honest, you can see why. The most famous scene of Belle and the Beast’s dance with shots to the beautifully rendered ceiling and chandelier is just one of thing’s that makes this film such a spectacle. The post above declares it ‘the most beautiful love stories ever told’ and…yeah. Beautiful is a great word for it. I definitely felt the emotions of the characters and the journey they were taking during the movie, even though I knew what the outcome would be. As per a good animated feature, or any feature really, it does a very good job at visual storytelling, and taking on board just the right things to tell something of the fairy tale genre – as far as fairy tales are told, this is one of the ones that does it best.
You probably note that, as a movie often considered one of Disney’s finest, I’ve placed it pretty low on my list. Well, to be fair, I watched it a little late – I already knew most of the plot when I finally got down to viewing it, and whilst I definitely enjoyed most of the elements (barring of course the fact that the Beast in his human form looked inbred), it wasn’t quite the new spectacle that audiences in 1991 first got. Still, it’s nevertheless a very enjoyable film of very beautiful animation that I’ll definitely be seeing a few more times.

 

#9) The Prince of Egypt (1998)
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Studio: DreamWorks Pictures
Being raised in a very Christian environment, it was inevitable that I’d eventually see DreamWorks’ take on the story of Moses. But this is not a problem – this movie’s a total treasure. I’d definitely recommend it for any audience – not content with just telling the cut-out version of the story from the Book of Exodus, it uses it’s artistic licence to it’s full affect, taking full advantage of brothers (in this case, Moses and Rameses II of Egypt) who grew up together now being forced to be each other’s foes over the fates of the enslaved Hebrews. Not only does this film pile on the drama and the storytelling, but also has a fantastic and severely underrated soundtrack orchestrated by Hans Zimmer. Listening to the opening number of the movie as I write this, I feel the weight of the scenes they were set to, and if I weren’t so distracted, would definitely feel a chill…the design of the human characters isn’t always on par, but the animation of scenery at whatnot is gorgeous – the sweeping shots of Egypt, the segment full of burning hail during the plagues of Egypt, and the Passover sequence which is still one of the most chilling animated segments I’ve ever seen are just a few examples of why you should check this film out if you haven’t already.

 

#8) Kiki’s Delivery Service (1989)
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Studio: Studio Ghibli
I only discovered this one recently, but as you can see, I enjoyed it enormously.
Studio Ghibli is perhaps not as well known in the West as Disney and such, but you’ll find it has a very defensive community of fans. The story of this film is, at it’s core, actually very simple. It’s mainly about the life experienced by a young witch, who, upon arriving at a new town as per coming-of-age rituals, ends up setting up a delivery service using her broomstick. But this movie’s strength comes from it’s allowance for atmosphere. It gives us plenty of time to just get absorbed into this world and it’s characters. I remember being impressed at how well-paced it was. Nothing was happening too quickly or too slowly. It was just perfect. The characters are also very likeable – from Kiki herself, to the baker she stays with, to the artist who lives in a cabin in the woods to (insert other character if you’ve seen the film in here, I’ll love them, I love all of them.) It’s just a delightful experience, this entire movie, and the serene animation and music matches it perfectly. One of the most impressive things about the animation, in my opinion, is when Kiki’s flying – on the scene of her first delivery, when she deliberately drops, you just feel the gravity, and I hope some animation buff will tell me why. If there was one thing I think it could have done without, it would be the forced climax (there’s a joke to be made there). Not least because after it, the film just ends bizarrely anyway. But it’s a minor issue, I know I’ll be sitting down to experience this again sometime, maybe when I’m feeling down, because I found myself empathising considerably with Kiki when she goes through what she does here.

 

#7) The Hunchback of Notre Dame (1996)
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Studio: Walt Disney Pictures
Damn these unevenly sized posters!
But anyway…
Released at a time when the Disney Renaissance was on a bit of a decline, I do agree with Doug Walker’s sentiment that it may not have been the best movie to get a general audience – the source material was very dark and controversial, and yes, this was sugar-coating it…somewhat. But what do I care? Enough of the original elements of the story where there to still make it a pretty dark film, particularly for Disney. So, the ending’s happy, and it’s full of musical numbers and goofy side characters. But it’s also got undertones of abuse, corruption, genocide and lust. There’s even a whole musical number dedicated to the antagonist’s lust for a gypsy woman – a number which still has a reputation for being one of the best villain songs ever. Once again, the visuals all support it – not only does Notre Dame look fantastic, both on the external and internal sides of things, but they don’t shy away from religious iconography and fiery symbols of someone’s inner turmoil either. Even with these dark elements in place, sometimes the simplicity is nice too – Quasimodo, the eponymous hunchback, is a very likeable character, and so are the gypsy woman Esmeralda, the villain (in his own way) Claude Frollo, and the majority of the other characters, barring the gargoyles…
Also, much like Prince of Egypt, this movie has an unbelievably fantastic soundtrack that is considerably underrated. Make sure to check that out once you’ve finished the film – it’ll be an urge you can’t resist. Just as I can’t resist constantly re-watching this movie.

 

#6) Frozen (2013)
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Studio: Walt Disney Pictures
No, I refuse to join the bandwagon of people that, because Frozen is now literally everywhere and they’re fed up of it, are saying that this is a terrible movie despite loving it initially. Even if you didn’t like it initially, I don’t care, because I absolutely love this movie. So there!
I remember going into this movie not knowing what to expect, but within a few minutes I was hooked. Once again, Disney’s playing up the fairy tail element to it’s advantage, and while Beauty and the Beast agreeably takes more time with setting out the opening story, what we get from Frozen is another well-thought out story focusing on the emotions characters are going through, and even redefining Disney’s long-held definition of what counts as true love. Convenient for Valentine’s Day, I think…
What’s more, it updates the Disney tropes for a modern audience, not only in what I previously mentioned but the fact that both the leads are female – yeah, so Disney princesses are unbelievably common, but having two, one of whom is the queen, without any true animosity is very new and refreshing.
And yes, I guess I should probably talk about the music. I know you’re all fed up of hearing ‘Let It Go’ everywhere, and yes, I do prefer some other Disney movies’ soundtracks (see Hunchback above), but I still think it’s a good song. And even if you don’t like it, I still think the movie it’s in is worth it. Once again, the visuals are stunning. With Tangled three years earlier, Disney were just starting with the 3D-style – here they pretty much perfected it. Elsa’s ice castle looks amazing, as do most of the other scenes. Not much else to say about it other than stop giving this movie a hard time. No matter what you say, I’m going to be watching this movie many more times, so there. Ha!

 

#5) Toy Story 2 (1999)
KEY ART

Studio: Pixar

Hang on, I hear you cry, where’s the first Toy Story? Well, I didn’t want to include the entire trilogy here, as this would discount many other decent films, so instead I opted just for my favourite of the trilogy, and what is, to me, one of the most nostalgic treasures I have. So much so, that I’ve put my sister of this movie possibly for life because of how many times I watched it as a child. :/
But I just loved it that much! I’m sure most of you can agree that the Toy Story trilogy in general is very good imaginatively with it’s character creations and storytelling and visuals, we all know about that. But for me, Toy Story 2 is the best for it’s new emphasis on a growing, creeping dilemma now facing are characters, which comes into fruition in the final film, but I feel as though the uncertainty made it a lot more engaging and a lot easier to empathize with the characters’ decisions. Not least because of what we learn on the cast’s new editions and their pasts.
The climax is also one of my favourites – if you wanted an update from a chase with a moving van in the first movie, try at the airport with a bloody jet. Not to mention dealing with a reasonably sympathetic yet still diabolical villain. Definitely one I’m going to be watching many times more…providing my DVD doesn’t break. ;_;

 

#4) Inside Out (2015)
inside-out-poster

Studio: Pixar

This movie isn’t even a year old yet and I already think it belongs up there with some of the best. And apparently I’m not the only one – Inside Out has received universal critical claim. Not since the Toy Story trilogy has a Pixar film been this well-received, as far as I know.
And well, you can see why. A few people, obstinate at being different, have claimed that the idea is unoriginal. Well, yes…but nor is practically anything. Virtually every idea has been done before, but what Inside Out does with the concept of personified emotions in the head of a girl named Riley is everything intelligent you can do with an idea like this, with focus on what should be focused on. The story itself is actually a coming-of-age story, detailing and highlighting the transformations you go through as you get older. For many who are going through or who have gone through the motions, this film is a very (unsurprisingly) emotional experience. Whilst taking part in some usual conventions of a family film (all of which are entertaining as well) when it needs to make a point about the role of your emotions and how you should feel about the transformations and choices you make, it drives home it’s point in spectacular style. And if I should take time to talk about the animation as well, then it’s also unbelievably creative and very nice to look at. And then there’s the feminist themes – as a film aimed for general audiences, it has a good number of female leads. It’s early days, but I get the feeling this film will persist through the ages as a classic.

 

#3) Spirited Away (2001)
USA_full

Studio: Studio Ghibli

So, I get the feeling I’ll probably get lynched for placing this anywhere other than number 1. But…it’s my list. So there.
As you can see, I do definitely regard this movie very highly, but perhaps I’m disenfranchised, because I actually saw this a little later than most? I don’t know. There are still some elements about it that rub me the wrong way. Like, for example, what was the point of that No Face character? Yeah, he had a nice design, but other than that, I can’t really see what he did worthwhile.
But enough of that – most of what I have to say about this movie is overwhelmingly positive. For all I said about Beauty and the Beast and Frozen about catching the fairy tale element well, this, I think, is the one that does it perfectly. When it needs to be eerie, it’s eerie, when it needs to be sad, it is very sad, when it needs to be delightful and beautiful and whimsical, it captures that as well. The spirit world it draws us into, whilst not developed in an enormous amount of detail, is still stunning to look at and just very engaging. Even though the story’s enjoyable as well, it might be worth having a viewing of the movie with the sound muted, just to enjoy the visuals. I can imagine it would be wonderful even then, though with that being said, the music is also fantastic. I’m listening to it now, and it has occurred to me I will never get tired of that wonderful piano arrangement. And then there’s the story as well – the characters are very engaging and colourful and interesting, you feel the wonder, the terror, the grief…I don’t know what else more to say about it that everyone else has already said. Just watch it if you haven’t already. And if you want a summary…I’m not very good at them. Go find someone else…

 

#2) The Land Before Time (1988)
The_Land_Before_Time_poster

Studio: Universal Pictures

Here’s another nostalgic treasure of mine – whilst I will admit I haven’t seen as much of Don Bluth’s work as I should, remembering and re-watching this movie as I do really makes me want to. So, maybe being a dino-nut as a young boy originally drew me to it, but this movie has so much more to offer than just that. Not only does Bluth’s signature animation style create a very mystical element to the entire thing, but the messages of this movie stand out. Look hard enough, and you’ll see an anti-racism undertone. This movie also deals with companionship and loss in hard circumstances, and what’s more, the child dinosaurs who are the main characters actually act like children, both in their attitudes, insecurities and actions. This makes them, I think, all the more relateable. They were some of my favourite fictional characters growing up, and to this day I still hold them very fondly. As well as the wonderful animation, this movie also has a fantastic score by the late James Horner, which I listen to very frequently. If there was one thing that might count against it, it’s the fact that it’s a very short film. A lot edits made in the initial stages rendered this movie little over an hour in length. And sometimes, the compression does show. But as you’ve probably picked up by now, I don’t care. This is a treasured bit of a gold from my childhood and I still enjoy watching it as a young adult.

So, what could possibly be number 1?? Well…

 

#1) Puella Magi Madoka Magica: Rebellion (2013)
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Studio: Shaft

Is this technically cheating, as this is a movie based on an anime series? Or that, despite my inspiring message at the beginning of this, this is not really a movie for children? Well, this is my list…and I utterly love the series, and I utterly love this movie. It technically counts as it’s a story separate to the series – a sequel, as it were. And as I have another sequel on this list, I think it’s allowed.
It’s very difficult to know what to say about this movie without giving away details of the plot of both the series and the film itself, but I’ll say that what the series does well, this movie ramps it up to the next level. The visual style really has to be seen to be believed, and even if you watch the series, you’ll only get a taster of how visually mind-bending and unbelievable the movie is. Taking both gorgeous colours and very dark, horrifying images, and blending it with a beautiful soundtrack supported by wonderful characters and underlying an amazing story, it reaches almost what I could consider a perfect animated film. Whilst opinions differ, I can proudly call myself a dedicated advocate of this movie.
The story, without giving too much away, underlies an inherent mystery. Even watchers of the series will be confused when they watch this, but whilst always dosing us with beautiful character development and great visual symbols of what’s to come and what’s going on in the mind of the point-of-view character in the story, they carefully bring us to the almighty twist that’s in the beginning of the movie…and that’s not even where the intense storytelling/visuals/literally everything stops either. This movie probably needs several viewings to understand fully, and even then, you can draw your own conclusions as to why everything happened and what it all means. Because, if you’re like me, you’re with this every step of the way. During some parts, I found myself literally pleading with the characters not to do…whatever they were about to do.
What else can be said? The animation is unbelievable, the characters and story awe-inspiring, the soundtrack beautiful…and if you enjoyed the lesbian undertones in this series, this movie cranks that up as well. So, if you enjoyed the series, definitely give this a watch. And if you haven’t watch the series and then the movie. I feel it’s my duty to promote it, if I make nothing else of my life…

 

So, there it was! I hope you enjoyed this list – let me know either from a comment here, or a message to me if you got to this link from my social media. If you liked this kind of opinion piece, give me more ideas for what I could make lists of. I have a few ideas, but let me know anyway. Basically thanks for reading, please share your thoughts and feelings, and have a good day!

All images belong to their respective owners.

 

 

 

 

Character Claptrap – Protagonists

Well, hi guys! Guess who kind of gave indication that there’d be one of these a day but then stopped making them for a few days…

Yeah, if you’re looking for a blog with regular updates or at least updates that follow a pattern, you’re not going to find it here. Until my timetable is less unpredictable hectic, or indeed I can find things to post about, this is basically going to be it.

So, why haven’t I posted in a few days? Well, as I said, ideas. It’s not easy to think of regular things to talk about. It’s like when you meet up with someone and suddenly discover everything’s gone silent because you’ve literally got nothing left to talk about. Or maybe that’s just me, what can I say? I have limited life experiences.

My BFF suggested I write a review of Kiki’s Delivery Service, a film I saw for the first time (shame on my slowness) the other day which I really enjoyed. But it occurred to me I’d only be repeating what everyone else has said about the film, so I dismissed it fairly quickly.

I would have loved to tell you all about the great and progressive events that have occurred in my life, such as me getting a book deal, being cast as the lead in a local musical and me finding my soul-mate. It’s just a shame that none of that has actually happened! Most of the past few days has just been me at home, doing very little, scrounging the kitchen for something to eat, finding nothing, then returning to my room, covering myself in my duvet and staring out of the window, sipping Fanta through a straw and pondering the aimlessness of my life.

I’m joking.
Partially.

But now I’m actually going to move on to the subject of the blog. Even though I haven’t got a book deal (yet), I did visit quite a nice writing group in Christchurch, comprised of very few people. My friend went with me, and of course, he turned up the charm for everyone there far better than I ever could, but the author running it seemed very interested to see our ideas progress.

So, with regards to writing, I’m here to talk to you about my experiences. More specifically, my experiences with the creation of character. This is because I’m quite fond of character-driven works. No doubt, plots can be engaging and interesting and you can marvel at them, but if the characters aren’t much cop, you feel like you had a serious missed opportunity. Something like Kiki’s Delivery Service, of course, has very little in the way of plot, and is mainly focused on the characters involved, and because the characters are so enjoyable, this works wonderful for it. But of course, when you’re an inexperienced writer, the creation of character, is of course, not as much of a refined art. Especially where the protagonist is concerned.

The protagonist is always the most important character, by definition. But let’s be honest, they’re never our favourite. To be honest, I can’t speak for you, but if you’re like me, and I hope you’re not – but if you are, remember you’re going to AnimeCon tomorrow – but if you’re like me, your favourite character is always one of the supporting cast. I can’t think of a single franchise I’m into where the protagonist is my favourite. Does this mean I always hate the protagonist? No, of course not, and often the protagonist is very enjoyable and well-developed. Examples that spring to mind are Kodaka Hasegawa from Haganai and Haruhi Fujioka from Ouran High School Host Club. Actually, the more I think about it, those are kind of an interesting pair to choose, considering they’re both the protagonists of harem series (reverse harem in Haruhi’s case), and of course, with that kind of genre, the focus is always on the girls/guys in the harem. The protagonist is generally underdeveloped to allow the viewer/reader to put themselves in their shoes. This sadly often leads to protagonists who are so outrageously shallow you just want to deck them.

Keitaro_Urashima

Oh, Keitaro, how I’d love for you to die in a fire. Or at the very least, stop chasing after a girl who beats the living shit out of you at every possible opportunity!

But I guess that’s just the thing, isn’t it? Being the central character of something, we see them in every single sphere or scene (pretty much) and we see everything there is to know about them. It’s understandable we’d either get tired of them, or want to see what’s going on with our personal favourites.

Obviously the lure of the protagonist, the one who is the focus of the story, is to make them basically as yourself. Now, I’m not going to point any fingers (*cough* Gen Urobuchi, Stephenie Meyer, Tara Gilesbie *cough*), but this is probably more difficult to avoid than it seems. After all, the protagonist is meant to be the most developed character, the one that you’re supposed to know the best. And obviously, you’re the person you know the best. The protagonist may end up speaking your words, echoing your thoughts, possibly even before you know what you’re doing. Forget to make obvious and highlight the flaws of your character, and, oh no! I’ve created a horrible protagonist!

So, I’m going to share with you some of my protagonists from the past. They have been of varying quality, I’m not going to lie.

The most horrible example that first springs to mind is a kid named Dylan from a story that nowadays I just refer to as ‘the Alex Rider rip-off,’ because…that’s what it was. I wrote it when I was possibly about 11, before abandoning it pretty quickly. This guy…well, he was a Gary Stu of horrible proportions, and didn’t seem to care when a car blew up and a man got shot. He just considered it ‘odd.’ Well, our hero, ladies and gentlemen! Perfectly calculating psychotic mind. Not to mention he, at aged twelve, was a black belt in judo and karate and knew about four or five different foreign languages. And unlike Alex Rider, he didn’t have an uncle in MI6 who took it upon himself to train him up in this way. Add some political claptrap that makes less sense than Donald Trump becoming president, and, yeah, this was a pretty horrible story.

It was interesting, therefore, that my next major attempt at a serious story I remember didn’t really have a protagonist at all. And even stranger than that, I was a character. No attempt at subtlety there are at all, there was literally a character named Toby Martin in the story. There was also one named Jack Fenton, my BFF both in and out of universe. So…what was the deal? I wasn’t the protagonist, me, my friend, and a few other characters who weren’t based off real people pretty much had equal coverage in plot regards. The story itself was a horrible attempt at teen drama and romance, so all the characters themselves were ridiculous. But yeah – no real attempt to make myself protagonist. Even stranger, the sequel to that story (yes, there was one), had a protagonist, who wasn’t me. She was in fact a newcomer, by the name of Amber Knight, and yes, very rare for my 12-13 year old slightly sexist self, she was in fact…a girl.
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But anyway…

Having a female protagonist was, for me, quite a development. Before then, most females in my stories had either been purely love interests or just completely non-existent. Did this trend repeat itself? Well, never in such vast quantities. But more on that another time.

I then tried to write a science fiction/space opera novel called Operation Terraform. Did it suck? Yes it did. The protagonist, Seth, wasn’t a horrible Gary Stu, but he was SO BORING. There were plenty of other characters (including many female ones, I should point out) who were far more interesting then him. OK, they weren’t brilliant, but still more interesting.

Protagonists, have since then, been at least a bit more interesting – Oliver Bishop was an English teacher (first adult protagonist FTW!) from a novel about him returning to teaching after a manslaughter incident (always fun) and finding a lot of students at his new school to be suffering for a array of problems, which he sets up a kind of club/counselling service in order to help them out. Not a bad idea, but the student characters and plot were way too underdeveloped. Another such protagonist was Eli Peck – a cynical sixth-form student who notes down every thought he has in a journal, and joins a group of students (comprised otherwise entirely of girls) dedicated to media outlets and journalism. But I think the main problem with these protagonists is that they were too similar to me – I made sure to balance out their flaws and give them a few noticeable interests, but their sense of humour was the same as mine, their attitude to life was the same as mine – even their habit of being unable to speak when faced with pretty women and just spending a lot of narrative focusing on how hot they were was consistent. And maybe related to my own experiences…?

I promise Oliver’s love interest was a fellow teacher and not a student.

So, with my most recently finished fanfiction, I think I got my first lucky break. The protagonist of that, was, of course, an existing character, but with that I felt I could more easily developing aspects of his personality and character arc how I saw fit, whilst still mostly confined to the personality he displayed within the franchise. OK, so he had a few immodest erections too, but for the most part, it worked. With him, I felt I fulfilled a first – my first, properly and completed character arc. And it wasn’t just him – many characters in that fic, both canon and my own creation, went through the mill, and whilst it was quite plot heavy, the emphasis on character in that story was pretty clear.

So, with that gateway and prototype sorted, I hope this will be the model for my new stories. Even though I haven’t quite started writing anything yet, I’m busy working on the characters involved and how they interact. This protagonist I’m planning, which I may reveal more about in time, is probably my favourite I’ve done so far. Based very loosely on a protagonist I once made use of a while back, she fits very neatly into a character arc without being too much like me, and has very obvious flaws which drive most of the plot, as well as strengths to compliment them. Oh, and she’s female too. This is a development that has taken hold of me – now a lot of my plans for protagonists have also been female.
Not to mention she’s 100% gay. Oh yes, I can feel my progressive streak is returning.

So, when the time is right, I hope to share with you these new plans, as well as discuss more about character planning and maybe my old stories in this blog posts. When will the next post be? Nobody knows, but I hope it’s not going to be an enormous amount of time. Feel free to comment and like/favourite, as it helps support me like the columns of a building…I think. I never wanted to be an architect, forgive me.

So, thanks for reading, and let me know what you thought. Whether you’re just coming here from WordPress, or from my links on Facebook or Twitter, feel free to comment, if you’re a writer, what some of your protagonists have been like. Until next time, bye!

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